- drawings 25
- collages 30
- solo shows 44
- group shows 23
- installations 67
- sculptures 38
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- videos 10
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- ordo amoris 7
- sun state 2
- alexander and bonin 11
- michael wiesehöfer 9
- barbara thumm 3
- stella lohaus 1
- paolo maria deanesi 3
- pepe cobo 4
- federico luger 1
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- welcome 11
- nicolas krupp 2
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Archive for the ‘solo shows’ Category
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‘Komplette Zimmer’ Diango Hernández at Capitain Petzel
Opening 02.03.2013 – 13.04.2013
Lines follow strange patterns specially if they are drawn on a piece of paper. Maybe nothing better than a drawing can describe that strange moment when thoughts are brought into the same reality that our bodies temporarily occupy.
I walked many times over Colon*, I crossed it in the morning and in the afternoon; also while was raining and while the …
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Diango Hernandez, Drawing the Human Figure, curated by Nuno Faria, Fondazione Brodbeck, Catania
The skull, a hard, bone structure, is the shape-giving form which makes all heads relatively the same. Of course, there are variations in the shapes of skulls. There are long-headed men and wide-headed men and skulls vary in shape in different geographic locales. But in essence, the skull can be reduced to the general flat shape of an oval and in volume, an egg-shaped form. …
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The Foam Collector (Imaginary exhibition for the Havana Biennial)
This is not the first time that I exhibit my work in Havana, but it has been a while since my last time. Since I came across the idea of exhibiting during the next Havana Biennial, I have been very confused. Presenting my thoughts to an audience that can’t see what I can and vice-versa, heavily upsets me. Havana can be the best venue for …
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Diango Hernández at Nicolas Krupp by Quinn Latimer. Artforum
Diango Hernández has in the past noted, both slyly and acutely, his own ‘tropical sensitivities’. Certainly they could be discerned in the Düsseldorf-based Cuban artist’s quietly exhilarating exhibition in Basel, though not in the conventional or clichéd forms that evocations of the tropics so often take; there were no potted palms or brightly patterned tiled. Instead, the elegant if strangely alien modernism (Europe by way …
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‘Diango Hernández. Lonely Fingers’ by Annelie Pohlen. Kunstforum International
Als Georg Elben 2011 die Leitung des Skulpturenmuseum Glaskasten übernimmt, handelt er so wie nahezu alle neuen Direktoren in ihren Häusern. Er inspiziert die hauseigenen Güter und Leihgaben. Der im Museumsnamen ausgewiesene Schwerpunkt ist unübersehbar. Man begegnet ihm unweigerlich auf dem Weg durch die ausgedehnten Grünflächen im Außenraum. Einen überregionalen Rang hat sich das Institut indes vor allem mit dem unter Uwe Rüth vorangetriebenen Schwerpunkt …
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‘Folded Tiger’, Philara Collection, Dusseldorf, Germany
The following passage appears (textually) in the first page of Guillermo Cabrera Infante’s most glorious and delicious book, Tres Tristes Tigres (Three Sad Tigers) 1967, translated into English as Three Trapped Tigers. Because this book and for this book I have made ‘Folded Tiger’. My thoguhts about tigers match perfectly with my fantasies about color and freedom and this happened because you Señor Guillermo. For …
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‘Lonely fingers’ (curated by Georg Elben), Marl Skulpturenmuseum
In that cold ‘second hand store’, in the middle of an immense chaos and covered with multiple layers of dust, I found Anni’s W. drawings folder. It was sold to me for 3 Euros. I walked away from that place, slowly and with guilt. In that moment I didn’t know if whether I was a thief or a pioneer. I discovered an extraordinary beautiful thing …
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‘Dream Liners’ by Eva Schmidt
Betritt man einen Laden, der mit Möbeln aus der zweiten Hälfte des zwanzigsten Jahrhunderts handelt, taucht man in eine Atmosphäre der Stile und Ideologien, die jeweils ihre eigenen Bilder des wohnenden Menschen, der Familie, der Privatheit erzeugt haben. Epochales Denken der Moderne und der Postmoderne, Zeitgeist, verkörpert sich in Farben, Materialien, Proportionen. Dieser Situation hat Diango Hernández etwas hinzugefügt. „Dream Liners“ zeigt eine Reihe von …
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Diango Hernández: Cómo educarse para vivir en el Capitalismo por Dermis Perez Leon
Para mi el arte siempre existe en relación absoluta con temas autobiográficos. Esto no significa que entienda o lea la obra de arte como autobiografía o algún tipo de historia, pero si significa que cada artista, incluyéndome a mí mismo, es parte de lo que crea.1
La primera exposición personal de Diango Hernández (Sancti Spiritus, Cuba 1970) como artista individual fue Amateur en la galería …
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On a future that has never taken place by Vanessa Joan Müller
“Spatial three-dimensional images are the dreams of society”, wrote Siegfired Kracauer in 1930, in his thoughts on the building of a characteristic space of that time, an employment agency. The conditions of society are significantly impressed on the space built and on its furnishing, although this is not all. “Every typical space is brought into being by typical social relations that express themselves in it …
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Diango Hernández. Sitting in the south by Luigi Fassi
After meeting Franz Fanon, who was then terminally ill with leukaemia, in Rome in 1961, Jean-Paul Sartre accepted his request to write the preface to The Wretched of the Earth, published by Fanon in Paris during that same year, just before his premature death. This contribution was a sarcastic and peremptory text in which Sartre introduced the book arguing for the necessity to demystify the …
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Revolutionary Mum. E-mail correspondence between Diango Hernández and Yilmaz Dziewior
Yilmaz Dziewior: Let’s start from the beginning; you were born in 1970 in Sancti Spíritus, in the central part of Cuba. Tell me about your childhood. What were your parents’ professions? Did they bring you in contact with culture? How did they cope with the political situation in Cuba at that time?
Diango Hernández: My mother was a high school teacher and later became a …