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Archive for the ‘installations’ Category
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‘XXIe Ateliers internationaux’, Frac des Pays de la Loire (curated by Laurence Gateau) –2007
Diango Hernández, Domestic Monuments by Pierre Tillet. The link between art and merchandise explored by John Miller. The microstate created in Rotterdam by the Atelier Van Lieshout. The memorial to the victims of Guantanamo by Gianni Motti. World Trade Monopoly by Öyvind Fahlström. Self-Portrait Exaggerating My Negroid Features by Adrian Piper. The re-enactment of the bloody miners’ strike against the iron policy of Margaret Thatcher …
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‘Traitors’, Galeria Pepe Cobo, Madrid –2006
Traidores by Diango Hernández. Hoy soy traidor, mañana seré héroe y el día después, las piedras no alcanzarán para monumentos o para ser lanzadas sobre mi cuerpo. Quién ha sido el maestro que ha creado todo este plan? Quién me ha partido en dos? Quién a convertido el mar en lava? Traidor él, traidor su plan y sus cómplices. La muestra “Traitors-Traidores” en Galería Pepe …
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‘Zones of Contact’, Biennial of Sydney (curted by Charles Merewether) –2006
CRIS(IS)HOME by Diango Hernández. What it was ours It’s still ours, but now the ruined F is my home. Whether an improvised wall a corner of a house or the half of a box can be associated to the appearing of “Cris(is)Home” and it’s constructed out of an old and ruined fragment of industry’s roof. This “object” shows two faces, one it’s the …
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‘How to Live Together’, Sao Paolo Biennial (curated by Lisette Lagnado and Ulrike Gross) –2006
Interview with Diango Hernández by UOL. 1- Please, describe and explain your art work for São Paulo´s International Biennial
“We are unfinished drawings” Is a three dimensional drawing, It is a piece that shows the side we never manage to see in a drawing. This piece continues my research about drawings and brings to it the frustration implicit in a drawing, the drawing intended …
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‘Spies’, Alexander & Bonin, NY –2006
Diango Hernández’ first exhibition in North America will open at Alexander and Bonin on April 15, 2006. Spies will be shown concurrently with Traitors at Galería Pepe Cobo in Madrid. Born in 1970 in Sancti Spiritus, Cuba, the artist has lived in Europe since 2003. The work in both exhibitions reflect his analysis of the iconography and rhetoric of the Cuban revolution and the tensions …
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‘Lichtkunst aus Kunstlicht’, ZKM/Museum für Neue Kunst, Karlsruhe (curated by Gregor Jansen) –2005
Stop by Diango Hernández. Several car’s tail lights switched on laying down over the floor in a museum room, they are just pieces of a bigger system but the system is absent, they look like a ruins of a night traffic jam, they can’t move but still they can work as they used to. The red tail-lights are the warning signs in our daily life, …
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‘Revolution’, Kunsthalle Basel (curated by Adam Szymczyk and Simone Neuenschwander) –2006
REVOLUTION – An interview with Diango Hernández. by Simone Neuenschwander. SN: The title of your exhibition is “Revolution”. You created a painting for the poster, in which you show this word in a way that is related to the typical aesthetic of socialist propaganda posters of the 1970s from Cuba. This promises a lot… how important will this term be for your show?
DH: …
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‘Waiting’, ArtForum Berlin, Galerie Frehrking Wiesehöfer –2005
A Bolero by Diango Hernández. A revolutionary is a person who either advocates or actively engages in some kind of revolution. Since the term “revolution” may be used to refer to a sudden change in any field, one may speak of political revolutionaries, social revolutionaries, revolutionary scientists, inventors, artists, etc. In a political context, the term “revolutionary” is often used in contrast to the term …
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‘The Museum of Capitalism’, Altes Museum, MG (curated by Susanne Titz) –2005
Diango Hernández, Museum of Capitalism, Altes Museum Mönchengladbach. by Dr. Doris Krystof, Curator K21. Ich freue mich sehr über die Einladung von Susanne Titz und Hubertus Wunschik, zur Eröffnung des „Museum of Capitalism“ zu sprechen, das der aus Kuba stammende Künstler Diango Hernandez im alten Museum von Mönchengladbach eingerichtet hat. Diango Hernández hält sich zur Zeit im Rahmen des durch die Josef und Hilde Wilberz …
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‘Palabras’, Arsenale, 51. Venice Biennial (Always a little Further curated by Rosa Martínez) –2005
Palabras by Anke Kempkes. In the 1990s Diango Hernández was prodrucing an extended series of drawings which processed the political and economical crisis of Cuba after the colapse of the socialist systems in East-Europe. ‘I was acting artistically out of a collective consciousness. Havana was a backdrop, a big landscape of mistakes.’ The installation Palabras is a three-dimensional materialisation of this special drawing activity …
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‘Revantgarde’, Paolo Maria Deanesi Gallery, Rovereto –2005
REVANTGARDE by Anke Kempkes, 2005. MOM DEMOCRACY IS A LIE. In the 1990s Diango Hernández started an extended series of drawings which processed the political and economical crisis of Cuba after the collapse of the socialist systems in Eastern Europe. ’We lost the last support of the Soviet Union, which meant confronting a big crisis. We knew about Perestroika and everyone was concerned: What …
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‘doku/fiction’, Kunsthalle Düsseldorf (curated by Peter Gorschlüter) –2004
‘doku/fiction. Mouse on Mars – reviewed & remixed’. Wie kaum eine andere Band ist Mouse on Mars bekannt für die genreübergreifende Faszination ihrer Produktionen, in denen Pop, Club, A-Musik und neumusikalische Konzepte scheinbar mühelos zusammenfließen. Die beiden Musiker Jan St.Werner und Andi Toma, die 1994 ihr gemeinsames Projekt Mouse on Mars tauften und ihre Musik in dem selbstgebauten Tonstudio in Düsseldorf produzieren, verschreiben sich …